An overview of the harlem renaissance as an african american cultural movement of the 1920s

Student Answers thewanderlust Student The Harlem Renaissance was a time where people who were African American, or involved themselves with the African American community, thrived.

An overview of the harlem renaissance as an african american cultural movement of the 1920s

Middle Passage Before the Atlantic slave trade there were already people of African descent in America. A few countries in Africa would buy, sell, and trade other enslaved Africans, who were often prisoners of war, with the Europeans.

The people of Mali and Benin are known for partaking in the event of selling their prisoners of war and other unwanted people off as slaves. On the ships, the slaves were separated from their family long before they boarded the ships. Male slaves were generally kept in the ship's hold, where they experienced the worst of crowding.

The women on the ships often endured rape by the crewmen.

Harlem Renaissance

This gave crewmen easy access to the women which was often regarded as one of the perks of the trade system. Male slaves were the most likely candidates to mutiny and only at times they were on deck. In order for the crew members to keep the slaves under control and prevent future rebellions, the crews were often twice as large and members would instill fear into the slaves through brutality and harsh punishments.

The English settlers treated these captives as indentured servants and released them after a number of years. This practice was gradually replaced by the system of race-based slavery used in the Caribbean.

Additionally, released servants had to be replaced. Massachusetts was the first colony to legalize slavery in Other colonies followed suit by passing laws that passed slavery on to the children of slaves and making non-Christian imported servants slaves for life.

In all, about 10—12 million Africans were transported to the Western Hemisphere. The vast majority of these people came from that stretch of the West African coast extending from present-day Senegal to Angola; a small percentage came from Madagascar and East Africa. The vast majority went to the West Indies and Brazil, where they died quickly.

An overview of the harlem renaissance as an african american cultural movement of the 1920s

Demographic conditions were highly favorable in the American colonies, with less disease, more food, some medical care, and lighter work loads than prevailed in the sugar fields. They avoided the plantations. With the vast amount of good land and the shortage of laborers, plantation owners turned to lifetime slaves who worked for their keep but were not paid wages and could not easily escape.

An overview of the harlem renaissance as an african american cultural movement of the 1920s

Slaves had some legal rights it was a crime to kill a slave, and a few whites were hanged for it. Generally the slaves developed their own family system, religion and customs in the slave quarters with little interference from owners, who were only interested in work outputs.

Before the s, the North American mainland colonies were expanding, but still fairly small in size and did not have a great demand for labour, so the colonists did not import large numbers of African slaves at this point.

Some had been shipped directly from Africa most of them were from sbut initially, very often they had been shipped via the West Indies in small cargoes after spending time working on the islands.

Their legal status was now clear: As white settlers began to claim and clear more land for large-scale farming and plantations, the number of slaves imported directly from Africa began to rapidly increase between the s into the s and onward, since the trade in slaves coming in from the West Indies was much too small to meet the huge demand for the now fast-growing North-American mainland slave market.

Harlem Renaissance: leslutinsduphoenix.com

Additionally, most American slave-buyers no longer wanted slaves coming in from the West Indies - by now they were either harder to obtain, too expensive, undesirable, or more often, ruined in many ways by the very brutal regime of the island sugar plantations.

By the end of the seventeenth century, a relaxation of colonial tax laws, and the British Crown's removal of monopolies that had been granted to a very small number of British slave-traders like the Royal African Company, had made the direct slave trade with Africa much easier. As a result, freshly imported, young, and healthy Africans were now much more affordable, cheaper in price, and more readily available in large numbers to American slave buyers, who by now preferred to purchase them, even if it took some time for them to adjust to a new life as plantation slaves.African-American history is the part of American history that looks at the African-Americans or Black Americans in the United States..

Although previously marginalized, African-American history has gained ground in school and university curricula and gained wider scholarly attention since the late 20th leslutinsduphoenix.com black history that pre-dates the slave trade is rarely taught in schools and is.

This gathering of black artists and philosophers was called the Harlem Renaissance. Langston Hughes, a black novelist and poet, used the language of the ghetto and the rhythms of jazz to describe the African-American experience.

4) But the most characteristic aspect of the Harlem Renaissance was the diversity of its expression Statistics: From the mids through the mids, some 16 black writers published more than 50 volumes of poetry and fiction, while dozens of other African .

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Harlem Renaissance, a blossoming (c. –37) of African American culture, particularly in the creative arts, and the most influential movement in African American literary history. This project includes over one-hundred and fifty websites providing biographies of writers, poets, artists, musicians, entertainers, activists, thinkers, and leaders of the Harlem Renaissance movement.

This book is a visual feast and a joy to browse; the graphic design captures the energy of the Harlem Renaissance. It's like a scrapbook jammed with "rent party" tickets, dinner programs, book covers, letters, playbills, song lyrics and more.

An Overview of the African-American Experience - Constitutional Rights Foundation